Tag: design
Alone Together: Solo Content in a Multiplayer Environment
by Alex Pizzini on Apr.14, 2010, under Game Theory
Don’t you just hate it when you see someone off by themselves and having fun without anyone else? Yes? You’re not alone, and neither are they in a way. One of the top distinguishing features of an MMO is all the other people playing in the same world as you. So what if one of them isn’t playing with you directly. You play with other people. You’re a group player. Even if you don’t need a group, you like playing together. That’s the way the game was made to be played. Right?
More and more players have been playing all by themselves. Some don’t like to ever group up, avoiding “forced grouping” as much as possible. Why? Saylah says, “The reasons why people solo in MMOs is as varied as the players themselves,” and I’m largely inclined to agree. I do, however, think that asking “why” is still a good idea. Why do, or what are some of the reasons that, so many players like to play by themselves?
- The player doesn’t have the time to group.
- The player feels that a others would be a hindrance.
- The player can’t find an adequate group.
- The player wants to be alone.
- The player wants to progress at their own pace.
- The player doesn’t feel a group is needed.
- The player feels finding a group is a hassle.
- The player wants to challenge themselves.
- The player is keeping up with friends.
- Likes MMO gameplay, but dislikes the multiplayer.
If we can eliminate all the rational reasons for a player to want to not group, it stands to reason that the player will only have reasons to group. Of that list, of which I’m sure is only a fraction of the reasons people avoid grouping, only a couple of the reasons are truly unavoidable.
If the player doesn’t have time to group, we need to make grouping not take up extra time. We could probably solve this in several ways. One way is to make grouping fluid and natural.
If players are grouped together automatically, they don’t have to spend time looking for a group. No one would want this automatic grouping to hinder the player’s explicit choices, so let’s make different kinds of groups and let the player be in both. So if a player decides to go kill some giant snakes for a quest, he’s automatically grouped with allies in the area that are killing the same creatures. Meanwhile, he’s in his regular party waiting for more.
The can design the system around grouping penalties. A robust party forming tool can solve most issues with finding adequate party members. An automatic party system as described above would let players play at a pace they want, with party members coming and going based on proximity and activity. By keeping a group finding mechanic streamlined, simple, or automatic as above, players should find group-making a fairly hassle-free experience.
If a player wants a challenge that he doesn’t feel he can get with a party in his current area, alternate instances of varying difficulties may be a solution. A specially designed open-world difficulty setting could spice up gameplay as well. Maybe an option set at party formation would trigger enemy creatures to always call for backup or seamlessly power up.
It’s important to note that we don’t want to punish the player for opting to play alone. It’s the player’s choice, and the player should have fun playing however they want. Like I said before, some players, some times, just want to play by themselves. That should be okay and supported at some level. As long as an individual playing alone doesn’t hinder the experience of the multiplayer-friendly, it shouldn’t be frowned on.
The New Player Experience
by Alex Pizzini on Jan.22, 2010, under Blog Post Spotlight
RPGs have a long history of farmboys-turned-legends and orphans-turned-heroes, and there’s a very good reason for that. The growth of a modest character from humble beginnings to famous warrior saving the world is mirrored well by such growth in-game and out. The player and the character have a lot to learn before they go slaying dragons. Recent Cryptic titles throw that out the window and thrust new players into immediate peril. Players want to be heroes from the start, but people don’t always know what’s best to them.
Dusty Monk over at Of Course I’ll Play It has been playing Star Trek Online beta and has come to the realization that Cryptic Hates the New Player Experience. Check it out, it’s a good read.
Overused – Death
by Alex Pizzini on Jan.20, 2010, under Overused
An MMO’s death penalty is an oft discussed topic. Some games, like Champions Online have such a slight penalty, it might as well not even exist. Technically, Champions has a live bonus instead of a death penalty. Other games like Darkfall, Eve or Final Fantasy XI are known for steeper penalties. (FFXI more-so in its earlier days) Death in Darkfall and Eve means a likely loss of all the items you had on you. Critics say Death Penalties Are Stupid. That’s a valid, albeit blunt, opinion. Penalty or no, what’s the one thing that all these games have in common? Death.
Why are we so accepting of a mechanic that mirrors such an unnatural process in real life? Repeating death and resurrection is a bizarre mechanic for a medium that, generally, tries to mimic the real world. Why do all the players’ characters get saved by the spirit healer in World of Warcraft and yet truely important individuals like… I just realized where respawns come from.
My point here is that death is a rare thing for an individual to experience in real life, and I think many games would be better off if death were a bit less frequent in-game. I don’t mean to say that MMOs should be so easy, it’s difficult to die. I mean that the games should promote a mentality that dying is bad or rare instead of just something that happens every day. I think running an instance would be a bit more interesting if you could only die once, or if it were a bit more like Left 4 Dead 2 where a bit of teamwork would be required to get someone back.
Some games have a more unusual take on death. It’s not an MMO but the FPS Prey had a fun and unique mechanic of resurrection. Tommy, the protagonist, had to fight wraiths to replenish his health and energy. Diablo II was well known for its hardcore mode, where your character could only die once. After that, said character was unplayable. Designing a game with such an philosophy on in-game death would certainly require ground-up planning, but the rewards for such a design concept would include a richer gameplay experience and deeper player-character bond.
Overused – Sticky Targeting
by Alex Pizzini on Jan.17, 2010, under Overused
Overused is a new column where I will point out a device that has been overused in MMOs. These mechanics and gameplay features may be used as a crutch, the status quo, or just plain too much. Overall, they’re used when they don’t have to be, and often shouldn’t be.
Don’t bother trying to dodge that arrow. Zig-Zag all you want, you can’t avoid it. Taking cover from that fireball flying through the air won’t do anything. You’ve been targeted.
There are many reasons for using a targeting system like that, but that doesn’t make that physics-defying arrow any less aggravating. Escape from the sticky target is rarely a possibility once You’ve been clicked on, tabbed to, assisted to, or victimized by “/target”. One moment in line of sight is all that’s needed for projectiles to phase through matter and strike you or send a swarm of pets your way despite your best escape efforts.
It’s a lot easier to create a system that determines valid targets when you don’t have to consider the physics of projectiles in your code; easier and less strenuous to calculate. The alternatives include systems that are more resembling of a first person shooter, and are often considered to be more skill based in gameplay. Personally, I’m a fan of the way Fallen Earth seems to have done it. In a sort of hybrid of the two systems, targets are determined by checking what target is in the crosshairs when the attack is made.
This is all well and good for weapons whose projectiles cover their ground nearly immediately, but what about those slow moving arrows and fireballs? Are the only options for projectiles a sticky targeting system or heavily physics based collision system? I say no. It seems to me that you could determine if a projectile hits or not based on if a target intersects the projectile’s motion vector or arch at the time projectile reaches that same point. The projectile would just be animated along that path, and hit detection becomes a matter of a simple linear or quadratic equation rather than a more complicated physics reaction and collision. There you have accuracy of a shooter combined with the CPU usage of a typical sticky targeting system.
Let me know what you think. Do you like the common tab and sticky targeting in many MMOs? What are your favorite targeting systems used in MMOs?
Character and Player Rewards
by Alex Pizzini on Jan.13, 2010, under Blog Post Spotlight
MMORPGs have this way of turning everyone into the stereotypical women trying on clothes at the mall. Suddenly, you care about clothes matching more than ever before. Some of my favorite memories of Phantasy Star Universe is getting just the right combination of clothes. Similalry, I’m currently beta testing a game whose “armor” and “helms” are pure appearance, and stat bonuses come from elsewhere. I still drop thousands of “dollars” on the armor I want, because it’s rewarding to see my avatar look cool.
This appearance satisfaction is a type of player reward. Titles, badges, fireworks, achievements, and non-combat pets are all player rewards too. In contrast to character rewards, which almost always affect gameplay and game balance.
Today’s Blog Post Spotlight comes from Spinksville. The article is titled Rewarding the Character vs Rewarding the Player and it’s a great insight into what really motivates people.
A little opinion never hurt anybody
by Alex Pizzini on Dec.30, 2009, under Blog Post Spotlight
Edmund McMillen over at Gamasutra put together a respectable opinion post of “do-s and don’t-s”. His thoughts are inspiring, grounded, and logical. Anyone thinking about or actively working on both indie and commercial games would be wise to take heed of his suggestions. I’m a fan of his #8.
8. Stand out.
Don’t make something that looks or feels exactly like an existing work. When people experience something new they’re more forgiving of its design, and in the end your creation will get more attention. This should be obvious, but somehow goes over the heads of most designers. If you notice a trend in aesthetics or play mechanics: DON’T DO THAT. Avoid trends; innovate and break new ground. Stop making goddamn ninja and zombie games and if you’re making a shooter don’t put it in space. Seriously.
The Inevitable Trinity
by Alex Pizzini on Dec.26, 2009, under Game Theory
Note: In the midst of writing this, Brian Green at Gamasutra posted his article “Rethinking the Trinity of MMO Design.” To say I didn’t read it or didn’t take anything away from it would be ignorant and stupid. I read it and agreed with most everything he said. He goes into much more detail about the “trinity” itself, and it’s worth a good read. My article, however, is entirely my own idea. Any similarities are purely coincidental.
“The Holy Trinity.” It’s a phrase that means different things to different people. To MMOG and RPG players, it refers to a common mechanic among RPGs which some may consider sacred. Others consider it an outdated artifact of years past. Whether you call it the holy trinity or tank and spank, it refers to the same thing; an unbreakable combination of a healer, damage dealer, and damage absorbing defender. While many games have made efforts to ditch the combination, it’s often unsuccessful or ineffective. That won’t stop people from trying, and it just may be with a little more effort and creativity.
The trinity is typically implemented with classes. Classes have become a staple in both MMOGs and RPGs. Typically different classes take different roles of the trinity in some way. Priests or Clerics are often classes that take on the role of healer. Warriors or Paladins take the role of tank. Mages or rogues are often in the role of damage dealers. One common deviation from this class system is a classless system. In classless systems, players are able to customize their characters with role based restrictions extremely limited or removed entirely. It is common for character made with such systems to become Jack-of-all-trades type characters. These “jacks” have average defense, average restorative capabilities, and average damage output. The result is a character that combines all three aspects of the trinity. To many, this is seen as an escape from the tank and spank tradition, but in reality, it is just another variation.
The key components to the functionality of the trinity are health and roles. The gain, loss, and restoration of health and the contribution of two or more role-specialized players makes up the core trinity mechanics. As long as there are elements that reduces the enemy’s health, restores the ally’s health, and damages the ally’s health in a race to deplete the enemy’s health first, there will be a strong grounding in a trinity based foundation. To avoid the trinity, you have to avoid this role-based health race. To avoid that, you need to start from the beginning and come up with new win-lose scenarios that don’t involve both health and roles. In these scenarios, loss doesn’t necessarily mean death.
What conflicts and conditions could be used to indicate victory and defeat? I’ll give some examples; points, morale, positioning, and endurance.
Points
Like in fencing, points for solid blows could be awarded, and the first person to reach a set number of points would be declared the victor. This mechanic might not be fitting for a live battle, but it could be a suitable method of dueling. It wouldn’t, however, work in place of anything in many current games. Most currently available games use a targeting system that doesn’t distinguish parts of the body or even utilize realistic ballistics for projectiles. This method would be more suited to a game whose combat controls are more complex and focus on precision.
Morale
Loss is decided when one player has been beaten into a conceptual corner or checkmate. Certain actionssuch as countering advantages, striking critical blows, or being outnumbered, trigger changes in the ebb and flow of morale on the battlefield. When a player’s morale has waned, the next blow would be a mortal one. This back and forth experience is suitable for a theatrical or dramatic combat experience. Changes in players’ morale could be more drastic when their morale is particularly low. A lucky critical hit while on the verge of defeat could even turn the tides. In a game with simplistic hit detection or sticky targeting, controls and camera could be automated, and special lighting and music could be put into effect. This sort engaging device could really draw the player in.
Position
For particular events or encounters, win/loss could be decided by maneuvering a target into a location of vulnerability. The difficulty of which would be dependent on the scripting on the enemy. For example, you may defeat a giant bull by causing him to charge into a stone wall or off a cliff. For regular play, certain team-based abilities may be only accessible in a specific arrangement or formation. While the player is trying to enact the perfect sequence of moves to get the target to drop his guard and move into position, the enemy may have a totally different target position for party-defeat.
Endurance
The first player to strike a certain number of times in a row wins. Each attack drains a slowly filling energy pool. If one player has enough energy to strike back, the battle continues. Pacing and defense play a pivotal role. Different situations or abilities could trigger an increased energy gain, granted an advantage.
Certainly these ideas are kinda far out, but that is the point. By eliminating what we’re used to and comfortable with, you can come up with ideas that are truly unique. Out of that wacky, illogical, or even pointless uniqueness, you may find a mechanic that leads you to excellence. Classes are not necessary. They’re certainly not necessary for role-based gameplay. Additionally, stereotypical role-based gameplay is not necessarily the only or best way to design every game.

